Subjective evaluation of differences in concert hall shape using a multisource orchestra anechoic recordings auralized in 3d computer models / A. K. Klosak, K. T. Piotrowski, A. C. Gade // W: Proceedings ... więcej

Subjective evaluation of differences in concert hall shape using a multisource orchestra anechoic recordings auralized in 3d computer models / A. K. Klosak, K. T. Piotrowski, A. C. Gade // W: Proceedings of the 26th International Congress on Sound and Vibration : Montreal bridges, 2019 [Dokument elektroniczny] / ed. by ICSV26 Local Committee in Montreal. – [S.l.] : Canadian Acoustical Association, 2019. – (Proceedings of the ... International Congress on Sound and Vibration, ISSN 2329-3675). – 7 s. : il. (w tym kolor.). – Tryb dostępu: https://iiav.org/archives_icsv/2019_icsv26/content/papers/papers/full_paper_1080_20190427010446690.pdf. – Oznaczenie ref./art.: 1080. – Bibliogr. 10 poz., Streszcz. ang. – ISBN 978-1-9991810-0-0

By means of auralizations created by the ODEON software, the present study aims towards testing whether such auralizations are capable of revealing systematic subjective differences between two topologies ... więcej

By means of auralizations created by the ODEON software, the present study aims towards testing whether such auralizations are capable of revealing systematic subjective differences between two topologies of concert halls shapes (shoebox and arena). Anechoic multisource orchestra recordings were used as signal input in the auralization of Brahms music in 6 concert hall models and 27 subjects with and without musical background evaluated the halls with respect to general preference in paired comparisons tests. The paper discusses the results regarding the subjects’ detection of differences in room shape.